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  • Elegant and playful, the raku ceramic whales are handcrafted in stylised shapes and come in five sizes, with different colours and surfaces.

  • The fine and solid dining set is meant as a design set embellished with glazed ceramic plates, designed and decorated by hand. It consists of four elements: a flat plate, a soup plate, a fruit plate and a soup bowl, with a square version.

  • With harmonious postures, the four tenores sing their typical a tenore song which almost reaches our ears, evoking that ancient traditional music.

  • The sumptuous plate sculpture displays an intertwining of thin iridescent branches evoking mysterious marine environments, irregularly shaped with a valuable composition of open and closed spaces, emphasized by the creative use of brilliant glazes, coral, opal and golden bronze.

  • This hand-decorated ceramic vase features a stylized lapwing decoration, crafted following the ancient graffito technique on a white glaze, that undelines the orangish shades of clay. The piece is part of the Pavoncella collection and is available in three different versions.

Il settore

Local pottery production started during the Neolithic age, featuring peculiar characteristics that evolved during the Nuragic age. Neolithic pottery productions explored the female body, rounded also in pottery production, being a representation of the Mother goddess. Nuragic pottery featured simple and stylized designs, a tribute to the strength of war.


In the following ages, the regular exchange of imported pottery, linked to the interaction of different cultures with Sardinia, made it difficult to define what local production really was, since production became a self-sufficient expression of modern age, only when stylistic features and technical procedures were define and kept unchanged until recent times.


For instance, terracotta was slipped and glazed. Few and functional models were lathe-crafted: pitchers, marigas, containers, sciveddas, pans, pingiadas, flasks, frascus, bowls, discus, and other types of pots and pouring receptacles.


The setting is rural and pastoral. They are objects of daily use, for the transportation and and storage of water, baking, the preparation of desserts and food products. Yet, embellishments and expressive characterizations are also used. The festive versions are used during solemn occasions, anniversaries, rituals, and are part of the set of votive tools. They are made by the most skilled figuli, using graphite and decorated with plastic additions, plant motifs and the figures of saints and other religious and good-luck symbols.



These productions that belong to the local material culture, together with the productions of other sectors such as hand-made weaving, jewelry, carving and basket weaving, share a secret language, and intimate and evocative jargon.